This 800 square foot frame stucco two bedroom one bath single car garage house has been in the family since the fifties.
It has been a residence for dozens of renters, some good, some bad. Through time, much property maintenance was done that is now being re-done. It rents for seven hundred and fifty a month today when one hundred and twenty five used to give a renter the front door key.
This time the place is for sale to a good owner, someone who has time and money to grow a garden in the back yard, put in rocks and desert landscaping, add another room and a bath. The neighborhood, by San Mateo and Kathryn, is acceptable though you see transients pushing grocery carts down San Mateo towards Wal Mart. The War Zone is a few miles to the east but homes in this Parkland Hills neighborhood still show signs of committed ownership with new windows, landscaping, solar panels.
It brings back ghosts to work here.
I see my dad fixing a front screen door and brothers raking leaves and mowing the front yard when it had grass, decades ago.
Two big Chinese elms occupy the front yard and birds leave presents on my car each day I park here.
I miss my Dad sorely, but this house won’t be mourned when a new owner moves in.
A Sold sign will bring me closure.
There is an old joke about having to look for a cop at the doughnut shop when you need one.
I haven’t seen a man or woman in blue at my Albuquerque Donut stop, but I haven’t needed one either.
While Donut Mart is not Wal Mart, they do have fritters, twists, donut holes, donuts, bagels, glazed, jelly filled delights and specialty treats to meet all your taste bud needs. There are five stores in Albuquerque and all are locally owned and operated by a legal immigrant Pakistani family. It used to be Albuquerque had Winchell’s and Dunking Doughnuts, when you needed one, but they have both died without a proper funeral. The coffee is tasty at Donut Mart, wi-fi is free, bathrooms are clean and the staff is courteous and friendly.
If I were a cop I would be sitting here too at a big round table writing reports and listening to my Sergeant rile about my last traffic stop, the one where the driver of an old Chevy pickup with trash in the back had warrants and I took him to booking for processing and was out of service for two hours while the city was burning.
I have dropped internet at home and instead of spending thirty five a month for internet I now spend sixty for hot coffee and another sixty for doughnuts.
Even though I like coffee and doughnuts and wi-fi, this change is not looking like a good deal.
Contemporary Fine Art is the calling card of this small gallery in Amarillo.
It’s owners feature works of emerging local, regional and national artists in nine exhibitions a year. They offer personal consulting services and support the community by donating time and money to local causes.
Open, just like their sign says they should be, we drop in and enjoy artists and styles shown this March, 2015. We are finished with lunch at Tacos Garcia , a local Amarillo eatery, that serves as close to New Mexican food as we can get in Texas. Your taste for red or green enchiladas follows you wherever you go.
The Cerulean gallery has concrete floors, white walls, light, and enough room to make it a comfortable place to see artists up close and personal. There are artists in every community, painting in little studios that are sometimes just a corner of a living room, an easel on the prairie, or a place in a garage with a skylight added for real light. There are artists working late into the night or early mornings before going to day jobs. They know their lines and colors and art history and pursue their dreams even though the odds are against them making money or achieving stardom. Still, lots of us do things out of love that have a murky bottom line.
It is hard to see how long a gallery of Contemporary Art can survive in a town of cowboy art, cattle and windmills, atmospheric clouds and long vistas of open space. It is true, though, that art springs from individual hearts and minds so it should be as different as people are different.
There should be a place at the art table for everyone, even crazy old Uncle Ed.
Alan, Jim, Sondra and I enjoy this afternoon and I never stop looking for Uncle Ed’s portrait in a hidden corner of the gallery.
A cool morning in Surprise, Arizona, you can hear paddles striking balls several streets away from the Happy Trails pickle ball courts.
“There are 15,000 pickle ball players in this area,” a woman educates me as she sells new pickle ball paddles and takes names for her E-mail list at her vendor stand by the entrance to the courts.
This morning, while much of the park sleeps, men over 50 warm up, talk strategy, stretch, get their game faces right. Once individual games start there are paddles slammed into the ground, curses, and strained expressions. All the results of the pairings are written down on a bracket board by the scorers table. This is a tournament to crown the Happy Trails Pickle ball Champions in doubles, men over 50, 2015.
Pickle ball goes down on a small court with lots of stretching and reaction, strategy and competition. Even old guys don’t lose their desire to crush other old guys, even if they all have beers after the tournament and talk about good shots whenever and whomever they came from.
Having your name engraved on a silver cup becomes for some, at some point in their life, a great prize. Bragging rights can be some of the best.
After watching the tournament, I still don’t know where the name pickle ball comes from?
Nobody here looks like a cucumber.
In the hotel lobby, each day, this artist/craftsman unfolds two tables.
He is dipping his brush into color and applying paint as I watch. When done with one color, he cleans his brush in a glass of water, wipes the residue off with a towel, then switches to another color on the bowl he is working on.
These little bowls are finely detailed.
The one I purchase has turtles swimming on the inside. Any of these will look good on a coffee table and put conversation in motion. They make a good place for rubber bands, hard sweet peppermint candies, wandering coins.
An ancient God, playing flute, dances around the inside of another finished bowl.
Whether his muse is Gods, or money, is a question only he can answer?
On the walls of his home he might have spectacular canvases of Incan jungles, ancient costumes, and wild untamed animals, or reproductions of Diego Rivera’s murals, posters of soccer stars, or photos of his wife, children and grandchildren.
Modern urban life can take the spirit right out of you, if you aren’t vigilant.
Back in the day, after school, our tribe would gather around the new black and white television in the family room and watch TV serials.
There was Roy Rogers and Dale Evans, the Little Rascals, Gene Autry, the Three Stooges, and Tarzan.
One of the pleasures of childhood was watching Tarzan, live in the jungle, free from teachers, swinging on vines, communicating with a grunt, fighting evil men stomping through his jungle with guns on their shoulders and gold on their minds. Every show a lion would get one of the slave traders and make him lunch, which brought cheers. To be able to swim every day in crocodile infested waters and pal around with Cheetah,who was always the middle of mischief ,was the greatest luck.
This morning, our expedition is going to Stone Island outside Mazatlan, visiting a beach with no hotels or development, having locals make us lunch, then taking the long boat ride back home.
Around nine in the morning we board the Acutus, following Polo, our guide for this trip.
These tours are a mainstay of a vacation. You take them for the tidbits they bring, and, over time, you accumulate insight into a place from someone who lives here and knows it.
Life here follows tides, seasons, weather.
Chugging around Stone Island, we become just another piece of the Mazatlan puzzle – a small tour boat in the lower right hand corner of a colorful jigsaw puzzle, a slow moving excursion boat with sun burned visitors wearing baseball caps and straw hats.
Every night, downstairs, the Hotel Playa offers entertainment.
It is sometimes a DJ spinning tunes. Sometimes it is a duo of classical guitars. On certain nights you can hear song smiths warbling out popular melodies. This particular evening we get flashy dancers in the restaurant (La Terraza) performing for elderly guests who are in town for a bridge tournament.
The four dancers, two male and two female, wear sequined outfits and very little fabric.They are as lean as you can get and from staff we learn they are part time employees of the hotel who are paid to perform at night and practice for pay during the day.
For old men these are young women with good figures and for older women these are young men who wear frilled outfits, have good physiques and lift the girls easily over their heads. One supposes the male performers are gay but these days, considering the proclivities of show business, it doesn’t matter. The girls carry the show from where we sit.
Full of energy and movement, the dancers perform as a quartet, a duo, and even solo. Stage lights change from red to blue to green and at the end of several numbers the dancers run off stage and go back to a little room for a quick change of costume.
The dance revue, Alan, Dave, and I agree, is entertaining and we stay the whole show. We hope we see the women on the beach tomorrow but agree that that probably won’t happen.
Lifting even these light girls into the air while doing dance steps is no easy task and it isn’t something I could handle on even my best day.
When the show is over, it is past eleven and sleep hits me over the head.
Not much of a dancer myself, I can still appreciate someone else’s talent.
Fortunately and unfortunately, we don’t see any wardrobe malfunctions.
Walking the Malecon, visitors come upon palm branch topped beach shelters that provide protection from the sun and are places to gather. The shelters line a sea wall and their tops look like giant Chinese coolie hats.
This morning a crew of workers are re-thatching a roof on one of the palapas. A helper on the beach hands a palm frond up. A hatted worker on the roof takes and positions it across the joists of the shelter’s roof, careful to overlap other branches already laid down. Then he uses wire to tiie the palm leaves to the joists. As the project is completed the bones of the shelter roof disappear and it shows a new thatch of green hair that will turn brown in time, like the older ones.
Other workers are erecting huge statues for a Mazatlan Carnival in February. That is the event that has pushed this thatching to top priority.
Work occurs here each day.
It winds its way through all lives here and ties people, weather, time and space together.
Hotels and restaurants dot both sides of the street that takes you from the Mazatlan historical center to the marina at the north end of town. If each hotel was represented on a map with a red pin, and each restaurant a blue pin, you would have a long
row of pins. You could climb up on the head of one pin and walk all the way to the marina without ever touching the road.
A half block down the calle, in front of the Hotel Playa ,is a colorful eatery that calls itself the Gringo Lingo
A kid in front of the eatery, holds a menu, stands on the sidewalk and talks us inside for a meal and a Pacifico beer – one of Mazatlan’s gifts to the world. There is world class fishing in these waters that drew Hollywood stars in the 50’s, taking time off from the rigors of stardom and Los Angeles. You see photos of John Wayne and Robert Mitchem in travel brochures in local shops and huge marlin dangling from the end of ominous hooks connected to dock scales.
This evening the three of us are enticed into the Gringo Lingo complete with bright primary school colors, hanging potted plants, and an extensive menu of Mexican and American favorites. There is only a handful of patrons when we enter and only a few come after we find a table. It is early in the evening and people are still recovering from sunburn and too many afternoon margaritas.
This evening we try tortilla soup and chicken wings. Ordering food is a tricky business in Mexico even though menus show pictures and have food descriptions written in English as well as Spanish.
Dining tonight in the ” Golden Zone, ” we eat what tastes good to us and look for movie stars.
Mazatlan, in it’s day, was where gringos went to speak their lingo to the ocean sunsets.
Mazatlan, today, has lost some of it’s charm. Now, it feels like a big marlin that has hung a bit too long from a big hook on the pier.
If places could just remain the way they used to be,mostly natural and undiscovered, we travelers would all be the better for it.
While the places I visit are new to me, there is no question that I have been preceded where I go by many.
If going someplace no one has been was my goal, I would never get out of my house.
I-10 takes you to Los Angeles if you stay on it all the way.
Out of Wilcox, Arizona the Interstate takes you along a steadily winding uphill road that goes from long flat expanses to foothills and into rugged mountains. Several miles before you get to Texas Canyon, a collection of rock formations that look like a group of dinosaur’s ridged backs, you come to a ghost town called Stein’s. There is a faded billboard promoting the place that has survived highway beautification and Ladybird Johnson.
Usually Stein’s has just been a glance to my right and is passed by. There is nothing here but old wood cabins, rusted machines, cactus, barbed wire fences and trailers for people who want to live away from other people because it is easier that way.
I drive over an overpass, follow a gravel road that ends at a closed chain link gate. There is a sign with red lettering that says the place is closed and two men inside the fence today are burning weeds and trying to get the best of their rakes and shovels.
“You closed?”
“They are,” one says, suspicious of my intentions.
“Good place for a movie shoot.”
“They did a few here,” comes a grunt, “but the highway noise makes it hard. Kills the sound man. ”
“Is the Museum open?”
“No, the owner’s husband was murdered here and it has been closed four years. She doesn’t know what she is going to do. ”
When a place has a population of two and one gets murdered you have devastation.
My love affair with Stein’s ends as quick as it began and I pull back out on the Interstate with relief, glad to leave the two prisoners to their work detail.
Stein’s is now in my rear view mirror and its history is sad.
It is just another comma in a long winded Faulkner novel where people are born, live, and die while moss grows thick in the trees and the difference between humans and animals is only razor thin.
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