This group belongs in cabarets in Berlin, London, Paris, after World War 2, without the smoke, SS Officers and floozies.
A first response to new music is often to discount or find faults with it because it is new. Another response is to recognize new music as new, overpraise it, and find no faults at all.
I leave criticism in my back pocket. If all music were the same, or all posts, or all websites, or all opinions, or all people, it would be a sadder world.
During one of the songs, vocalist Tina Panera, holds a hat up and sings a sad song about ” this old hat..”
I am enchanted.and drop a crisp bill into Tina’s old hat so she can buy herself a less comfortable new one.
Musicians know lots about tip jars, old hats, sad songs, war and peace, love, injustice.
You hear some great music in airports when you least expect it.
I’m getting whisked back on a time trip in the Albuquerque Sunport International Airport and I don’t even have to go through security or board a plane.
Wars experienced vicariously are much better than those you have to fight in.
Sax Rats is our saxophone quartet – two alto saxes, a tenor sax, and a baritone sax.
It is cold this evening as we load into Dan’s van, drive down, set up, begin our first music set at the Holiday Stroll in Old Town, Albuquerque.
” In college, ” Chris tells us, ” I did gigs and made $50.00 a night and was happy to get it ”
” The other day, ” he goes on, ” I did a jazz gig and still made fifty. ” he laughs.
Chadd, my saxophone teacher, has a sign on his studio door that describes a musician as a person who will work most of their life to get enough skills to play music in public, play a several thousand dollar instrument, drive a hundred miles to a gig in a six hundred dollar car, spend fifty dollars on drinks, gas, and food out of their own pocket, make seventy five dollars for the night’s gig, and wake up the next morning with a hangover and barely enough money for huevos rancheros..
I expect we will be back at the Holiday Stroll again next year.
Latest government stats say the U.S. doesn’t have any inflation.
Musician pay certainly proves their point.
Growing up in the 1950’s, there were only three channels on our new black and white TV. The programming was sports, talent shows, westerns, game shows and nightly news.The broadcast day ended at midnight. In the 1960’s,Johnny Carson got people to stay up later and tucked his audiences into bed.
Back then, we went to our television sets like an older generation went to their radios before us and listened to TV anchors tell us ” how it was.” In those days, we trusted our institutions to do what they said they were doing.
At Wal-Mart this morning, Scotttreks runs into a TV crew filming a segment for the local evening news. These days, entertainment and political correctness saturate each nightly news story and finding truth comes last in third or fourth place.
ThIs news production, promoting a Wal Mart sponsored winter coat drive for kids, is only seconds long but takes a crew of five most of the morning to produce.
I don’t watch news anymore.
News people want to do all my thinking for me and make sure I don’t have trouble coming up with my own answers.
Discerning truth from fiction, I believe, is still my responsibility, as a living being.
Newsmen and used car salesmen have much more in common than we previously thought.
Begun in 2014, Scotttreks is a rolladex of Scott’s time travels for those who remember what a rolladex looks like, what it was used for, how it was used, until computers sent them to antique auctions.
Hot on Scotttrek’s trail, I flip back to 2014, to Uruguay, to the beginning. Usually, things that make trips worth remembering and posting about, makes them look even better when I relive them.
In Scotttreks, little moments are everything.There is no crew to blame for screw ups, and, in President Truman’s famous words, ” The buck stops here. ”
Flipping through the last five years, like a kid eating cotton candy, it isn’t hard to see how travel,writing, and picture taking grabbed me.
Somewhere down this travel pipeline, I’ll get past putting things down on paper, leave my phone and computer at home, sip pina colada’s on a far away beach close to my little room in a modest local guesthouse feeding the landladies cats as the sun goes down into the ocean.
At my most favorite local cafe a dark skinned waitress will smile as she fills my coffee cup and suggests that I get back to writing and taking pretty pictures.
I will smile back and sweetly say, ” Tomorrow is the day. ”
Some sculptures exhibited are behind glass, others are open to visitors to peer at closely, peek at the small shadows in the creases of the faces. Some of the work is utilitarian, made to ornament balustrades and pillars. Other works stood in temples before kneeling worshipers and burning incense.
Antiquity never quite leaves us, though we try to leave it.
Conserving the past, especially if it is someone else’s, is precious.
The Amarillo College Museum has several floors and this Friday, after Thanksgiving, Alan, Cousin Jim and Scott ,visit both floors.
On the second floor, one of the museum’s permanent exhibits features sculptures carved from sandstone dating from the 1st century in Thailand, Cambodia, and India.The sculptures have been donated to the college by local Dr. William T. Price and his wife, Jimmie Dell Price. The exhibit seems an anomaly in Texas cow country with windmills, barbed wire fences and branding irons crossed over gateways the usual West Texas artistic themes.
When these sculptures were begun, the craftsman/artist started with a simple block of sandstone and then carved away sand till they reached what was in their mind’s eye. There is no going back with this art, no pasting sand back. If you make an error the entire sculpture is ruined and months and months of work are annihilated.
These sculptor’s, like brain surgeon Dr. Price, work slowly and meticulously with sharp instruments, good eyes, and patience.
These artifacts are safe here from the bumpy unknowable future.
The past is like a fine piece of china riding in the back seat of a car, with bad shocks, going down an unpaved mountain road.
This museum is that same car, safely parked in its garage, and the fine china purring in the back seat like a contented cat.
On Saturday mornings, the New Mexico Jazz Workshop jam is in order.
Open cases are spread on the floor, Real Books rest on stands,metal folding chairs have been unfolded, coffee is okay outside the rehearsal room, guitarists plug in amps, sax players suck on reeds, trumpet players move their fingers over three keys and look to the Gods for good chops.
We sit in a big circle and any person can call a tune out that they want the group to play.
Some tunes we can play well, some we can play, some we just pretend. Some play for fun, others have axes to grind. After playing the head twice, the caller of the tune solos first and then the spotlight moves to the next person around the circle, sometimes clockwise, sometimes counterclockwise. After everyone solos that wants to, the group plays the head twice and we wrap the tune up with a long fermata.
In the kitchen area of the workshop, by the frig and coffee maker, hangs a distinctive framed pencil drawing.
Jazz is about feeling but feeling doesn’t push your keys, blow air across a reed to make sound, provide air support to keep a true tone.
Feeling is huge, but, without chops, it isn’t going far.
Tonight, at the Marble Street Brewery, in Albuquerque,” Group Therapy” commands the stage.
They rock out with ” Classic rock and roll “, blues, jazz , Latin, boogie woogie, funk, and even some gospel to keep the mood positive and the crowd seduced.
As our sun plummets, the brew pubs tanks look almost heavenly and food trucks, parked out front at the curb, provide new and old age eats to the hungry audience. The brewery sells its own brand of brews that come with names like ” Lizard Tail , ” Cactus Blossom, ” ” Marble Street Mirage” and they have started other locations in town as they begin their expansionary period.
Kids, not old enough to play adult games, play with blocks in front of the establishment and the neighborhood hasn’t yet been overwhelmed by street people drifting in from third street to panhandle, urinate on storefronts, exchange numbers for free medical care, bump fists to show solidarity.
At their drinking holes, Greeks discussed ” truth ” and ” beauty. ” Romans discussed ” taxes, barbarians and the provinces”. ” Americans talk about ” 401K’s, gas prices, Trump, and whether you can have a country without borders. ”
Kids, thank goodness, can play even in the worst of times and beer and music go together like salt and pepper.
An Eagles hit in the early 70’s was titled ” Take it Easy. ”
“Standing on a Corner in Winslow, Arizona” was a lyric that became a real park at the Corner of Kinsley and East 2nd Street in the real town of Winslow.
Winslow isn’t big, just a small town on old Route 66 that is a place to gas up and walk the dog. It only takes ten minutes to pull off I- 40 and find the ” Easy ” corner. This ” place of interest ” has a bench, a few statues, a plaque to memorialize it, and, this early morning, a radiance, the calendar flipped back decades.
This morning, a street crew cleans up, using weed blowers to scoot leaves and papers onto a tarp that will be tossed into the back of a flatbed. They wear lime colored vests and hardhats and give me a quick nod as they go about their business. There are restaurants and curio shops nearby that sell Route 66 memorabilia but ” Closed” signs are up in most of the windows.
Standing on the corner, I watch a You Tube video of ” Taking it Easy. ”
The song and message still sound good.
It sounds like it should be our new National Anthem.
Paintings come in all sizes according to the shape of an artist’s vision.
Many artists begin painting using pre-stretched canvases you can buy at Hobby Lobby, then matriculate to larger sizes,then begin stretching their own canvas over manufactured frames, gesso the canvas, and paint up a storm with brushes, knives, sponges, cloths, and anything else that grabs their fancy.
When one makes big art, issues come knocking.
Are walls big enough to display the compositions?
Should you put an inexpensive frame on a work you have spent hundreds of hours to complete?
Do you have a vehicle big enough to move them?
Keeping these art works safe is a duty, finding homes for them is a calling, having them near is comforting.
Mom’s come with a myriad of tangibles and intangibles, and, right now, my mom’s tangible art works are safely stored.
Mom intangibles I also keep stored, in other places.
You can’t put a price on intangibles.
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