Before you reach Amarillo, following I-40, you look to the right and see a series of Cadillac’s stuck in Texas dirt in the middle of an unplowed field.
In the old days the Cadillac’s used to be natural, like they came from the factory. They had huge fins, power windows, custom paint jobs, real rubber tires, chrome that would make any car buff salivate. You looked out in the field and the vehicles looked like they had come back down to Earth, like errant arrows, and buried themselves into the soil as far as their momentum would carry them.
On most days you see tourist cars clustered by a little turnstile and see tourists themselves following a wide path out to the cars where they pose for pictures, touch the cars to see how they feel, kick where real tires used to be. The Cadillac’s have been covered with so much graffiti that they are now hardly recognizable.
At the entrance to this entertainment is a little sign that informs you that ” This is not a National Park, Pick up your own Trash.”
This diversion is a brainstorm of an eccentric Texas oil man, Stanley Marsh. There have been not so nice rumors about his sex habits but he was a patron of the arts and how often does anyone create a Texas Landmark that has ended up in coffee table books all over the U.S.? It is unknown exactly what snapped in this man’s mind when he was having barbecue ribs on his back porch shooting Lone Star beer cans with a 45 pistol, but now we have a lasting spectacle that wasn’t here before his epiphany.
Men do all kinds of crazy things and, for the most part, they don’t need a reason. In Texas, the Lone Star State, you are still free to speak your piece and act out your fantasy’s.
If everyone buried a Cadillac halfway into their backyards, we wouldn’t be standing here taking pictures, shaking our heads, getting mud on our shoes.
It’s people who do things no one else would, that we remember the most.
In the hotel lobby, each day, this artist/craftsman unfolds two tables.
He is dipping his brush into color and applying paint as I watch. When done with one color, he cleans his brush in a glass of water, wipes the residue off with a towel, then switches to another color on the bowl he is working on.
These little bowls are finely detailed.
The one I purchase has turtles swimming on the inside. Any of these will look good on a coffee table and put conversation in motion. They make a good place for rubber bands, hard sweet peppermint candies, wandering coins.
An ancient God, playing flute, dances around the inside of another finished bowl.
Whether his muse is Gods, or money, is a question only he can answer?
On the walls of his home he might have spectacular canvases of Incan jungles, ancient costumes, and wild untamed animals, or reproductions of Diego Rivera’s murals, posters of soccer stars, or photos of his wife, children and grandchildren.
Modern urban life can take the spirit right out of you, if you aren’t vigilant.
Our tour boat docks, by a grouping of mangroves,and we disembark into a thatched eating area where a local family will serve us lunch in a few hours.
While they prepare our tour’s meal, we are taken for a look at this island’s coconut farm, watch Polo skin a coconut using a metal spike stuck in the ground.
There are chickens roaming free around the homestead, pecking each other in territorial disputes. In one cage is a crocodile, and, in another, snapping turtles fight over fish in a small bowl.
When done watching the coconut skinning, a gray haired man in a ball cap loads our group into the back of a long wagon, with wood seats and a canvas top, starts his tractor, and we are pulled up a winding sandy path to the uninhabited beach on Stone Island.
“Be back in an hour,” Polo says to us, as we hit the beach, then he looks for a chair and a shady spot to talk with the tractor driver, a couple of young men renting ATVs, the skipper of our boat, and a few tourists who don’t care about seeing more sand.
The beach here stretches unimpeded for miles, in both directions, and coconut trees tower over all. It must have been what islands in the Pacific looked like to our father who fought in World War 2 , as a LST Captain. He didn’t talk about the war but I’ve seen old black and white filmstrips of action in the Pacific and it was never a tourist vacation.
Members of our group spread out along the beach according to their interests.
The island has been protected by an order of a past President of Mexico – Felipe Calderone. He decided that the island, once owned by a rich family, would serve the public interest by being left protected. This simple decision has probably had a more lasting influence on his country than some of his more lofty calculations. Presidents can do many things but not all of them are right, or necessary.
After our beach jaunt, we are taken back and have lunch on a big covered patio.
On our way back home, Juanito, Polo’s tame pelican, revisits us again on the Acutus.
It is a memorable expedition. No one gets lost. There are plenty of refreshments and diversions. The price is cheap, thirty U.S. dollars, our guide is informative.
It would be fun to spend a night on the beach and have a bonfire made of driftwood and listen to pirate stories.
I would pay to go on that one too.
As our tour boat moves slowly through the water, paralleling Stone Island, we see mangroves form a wall to our east. We leave the marina and head north past large shrimp boats, tuna ships with miles of net piled on their decks, one of the largest fish canneries in Mexico, the Pacifico beer bottling plant, some ship repair yards and ocean going vessels in various shades of rust.
Rounding the northern tip of the island, we head now, towards the south, on the opposite side of the island from where we began. You can look further south and see breaking waves as waters of the Pacific meet waters of this estuary fed by rivers. Mangroves grow where salt water and fresh water meet and they are crucial for this aquatic environment.
While we chug along, a pelican flies down to the deck at the bow of our boat and looks at Polo, our guide.
Pelicans are odd looking birds with huge beaks, beaded eyes and bald heads, huge jointed wings. This visitor’s webbed feet splay out on the deck and he isn’t going anywhere.
Polo reaches for his microphone and tells us a story.
“This is my friend Juanito,” he begins. “He comes and joins us on most of our trips. I will give him fish later for a reward …”
“Some years back,” Polo continues, “we found this pelican who was covered with oil and couldn’t fly. So we wrapped him in a coat and took him home and my family cleaned him up and fed him till he could fly again. We had him at home a year before we brought him back here and let him go. His home is over there …”
Polo gestures at the mangroves.
“He joined us on a tour one day and now he always comes to see us. He is a very smart bird. When I feed him he knows which fish to eat and which fish to leave alone.”
After telling us about the value of mangroves to the ecosystem, and stressing the importance of fishing to the local economy, Polo feeds Juanito his first treat.
For a bunch of tourists, on vacation, Juanito is a high point.
It isn’t every day you are visited by a Pelican and get to watch him grab a fish in his beak, wiggle his long neck to get the fish down to his stomach, then look back at you with contentment and anticipation, as his friend, Polo, reaches into a white five gallon paint bucket for yet another snack.
Juanito takes this fish gently from Polo’s hand, and swallows.
He has become, and he knows it too, our official trip mascot.
Back in the day, after school, our tribe would gather around the new black and white television in the family room and watch TV serials.
There was Roy Rogers and Dale Evans, the Little Rascals, Gene Autry, the Three Stooges, and Tarzan.
One of the pleasures of childhood was watching Tarzan, live in the jungle, free from teachers, swinging on vines, communicating with a grunt, fighting evil men stomping through his jungle with guns on their shoulders and gold on their minds. Every show a lion would get one of the slave traders and make him lunch, which brought cheers. To be able to swim every day in crocodile infested waters and pal around with Cheetah,who was always the middle of mischief ,was the greatest luck.
This morning, our expedition is going to Stone Island outside Mazatlan, visiting a beach with no hotels or development, having locals make us lunch, then taking the long boat ride back home.
Around nine in the morning we board the Acutus, following Polo, our guide for this trip.
These tours are a mainstay of a vacation. You take them for the tidbits they bring, and, over time, you accumulate insight into a place from someone who lives here and knows it.
Life here follows tides, seasons, weather.
Chugging around Stone Island, we become just another piece of the Mazatlan puzzle – a small tour boat in the lower right hand corner of a colorful jigsaw puzzle, a slow moving excursion boat with sun burned visitors wearing baseball caps and straw hats.
Every night, downstairs, the Hotel Playa offers entertainment.
It is sometimes a DJ spinning tunes. Sometimes it is a duo of classical guitars. On certain nights you can hear song smiths warbling out popular melodies. This particular evening we get flashy dancers in the restaurant (La Terraza) performing for elderly guests who are in town for a bridge tournament.
The four dancers, two male and two female, wear sequined outfits and very little fabric.They are as lean as you can get and from staff we learn they are part time employees of the hotel who are paid to perform at night and practice for pay during the day.
For old men these are young women with good figures and for older women these are young men who wear frilled outfits, have good physiques and lift the girls easily over their heads. One supposes the male performers are gay but these days, considering the proclivities of show business, it doesn’t matter. The girls carry the show from where we sit.
Full of energy and movement, the dancers perform as a quartet, a duo, and even solo. Stage lights change from red to blue to green and at the end of several numbers the dancers run off stage and go back to a little room for a quick change of costume.
The dance revue, Alan, Dave, and I agree, is entertaining and we stay the whole show. We hope we see the women on the beach tomorrow but agree that that probably won’t happen.
Lifting even these light girls into the air while doing dance steps is no easy task and it isn’t something I could handle on even my best day.
When the show is over, it is past eleven and sleep hits me over the head.
Not much of a dancer myself, I can still appreciate someone else’s talent.
Fortunately and unfortunately, we don’t see any wardrobe malfunctions.
Back in the 1950’s, after WW2, most people headed home to raise families.
Men were tired of shooting bullets and women were tired of making them. Instead of killing humanity the focus became re-populating humanity. An era of big bands was coming to a halt and an age of rock and roll, beat poetry, and abstract expressionist art was coming into its own. Jazz, an American art form, was in ascendance and its emphasis on rhythm, dissonance and drugs were a premonition of things to come.
Jack Kerouac, one of the beat generation’s shining stars, made a trip down to Mazatlan in the 50’s in an old bus, camped, and immortalized this place as one stop in his epic rollicking novel “On the Road.”
On a wall, by The Shrimp Bucket, is a plaque placed by the Mazatlan Historical Society to commemorate the exact point in place and time where the bard stopped roaming, drank beer, hung out with the locals, and dreamed of the proletariat overcoming. He looked for pleasure and put his stories down in long winding sentences where he only stopped writing to take a breath. His novel was new for its day but old in concept. He was the hero of his own epic Homeric poem. He was a tumbleweed travelling to new ports with his only home the inside of his bus or a bedroll spread out in some flophouse. His friends were fragile poets traumatized by war, big business, and moral restrictions.
Sitting in The Shrimp Bucket, you can look at a little hill that must have made Jack nostalgic for San Francisco. Even if you can’t agree with Kerouac’s self destroying lifestyle, you can understand why he was here, by the water, drinking beer with limes, almost naked bodies dancing in the surf and fishermen spinning stories of great marlin battles.
Kerouac would have turned sentimental at the marlin story telling but Hemingway, if here, would have relished each twist of the hooks.
Kerouac was beautiful in his willingness to edit nothing.
.Hemingway was beautiful in his willingness to cut everything to its heart.
They are both masters of prose storytelling.
I would have loved to be drinking at the next table to them, at the Shrimp Bucket on any starry Mexican night,listening to them talk poetry.
Surprise, Arizona didn’t start where it is today.
Back in the day there wasn’t much here but tumbleweeds, cactus, rugged mountains, ranches, farms, a few dirt roads and lots of dreams.
The Happy Trails Resort was once nothing but a set of plans for RV lots, park models, a clubhouse and pool, and a golf course. It is now a place for those who have achieved the American dream to move to the desert from cold states that don’t see much sun in the winter. It has become a place for relaxation, socializing, barbecues, dances and ice cream socials.
Roy Rogers and Dale Evans lent this resort their aura and promoted it. In the Chuck wagon dining room, off in a lonesome corner, is a display of mannequins wearing authentic costumes worn by Mr. and Mrs. Rogers, and cowboy memorabilia from an era when Roy Rogers was as big a star as Hollywood could create.
Looking at the costumes one is struck by how small a man Roy Rogers was, and how petite a woman was Dale Evans.
Watching them ride the range on TV they looked larger than life.They fought evil on every episode and there was always time for a song around a campfire with the boys, a helpful hand for neighbors and friends. In the end, bad guys got what they deserved and good prevailed. Their costumes seem flamboyant, even now, but cowboy’s have a style all their own.
Happy Trails is more than a song and more than a resort.
It is a philosophy. It is a wish for good luck, a wish for the best for all, a hope that at the last roundup we really all will meet again under the best of circumstances, under a broad starry sky with a roaring campfire to gird us against the cold, some hot coffee and tasty jerky for a meal, and a good blanket to throw over us as we nestle our head against a saddle.
At one time Hollywood gave us real heroes, real role models. Now, life has become more gray, more conflicted, more questioning, more rebellious, more edgy.
Looking at Roy and Dale, I resolve to dig out a few old colorized westerns.
I resolve to eat buttered popcorn and think about the fall of Rome.
I-10 takes you to Los Angeles if you stay on it all the way.
Out of Wilcox, Arizona the Interstate takes you along a steadily winding uphill road that goes from long flat expanses to foothills and into rugged mountains. Several miles before you get to Texas Canyon, a collection of rock formations that look like a group of dinosaur’s ridged backs, you come to a ghost town called Stein’s. There is a faded billboard promoting the place that has survived highway beautification and Ladybird Johnson.
Usually Stein’s has just been a glance to my right and is passed by. There is nothing here but old wood cabins, rusted machines, cactus, barbed wire fences and trailers for people who want to live away from other people because it is easier that way.
I drive over an overpass, follow a gravel road that ends at a closed chain link gate. There is a sign with red lettering that says the place is closed and two men inside the fence today are burning weeds and trying to get the best of their rakes and shovels.
“You closed?”
“They are,” one says, suspicious of my intentions.
“Good place for a movie shoot.”
“They did a few here,” comes a grunt, “but the highway noise makes it hard. Kills the sound man. ”
“Is the Museum open?”
“No, the owner’s husband was murdered here and it has been closed four years. She doesn’t know what she is going to do. ”
When a place has a population of two and one gets murdered you have devastation.
My love affair with Stein’s ends as quick as it began and I pull back out on the Interstate with relief, glad to leave the two prisoners to their work detail.
Stein’s is now in my rear view mirror and its history is sad.
It is just another comma in a long winded Faulkner novel where people are born, live, and die while moss grows thick in the trees and the difference between humans and animals is only razor thin.
Golf and sunshine walk hand in hand in Arizona in 2015 like a retired couple on a perpetual honeymoon.
The Happy Trails RV Resort surrounds a golf course and its golf holes wind through the development like a snake doing a break dance. The greens are good but fairways need attention with new owners cutting doglegs to trim overhead and maximize profit.
Walking down streets named Trigger, Spur, Lariat, there are yard decorations in abundance.
In a golfing area, one is not surprised to find Golf Ball Man, a curious combination of super sized golf ball cells held together with wire skin and topped off with a driver, golf cap, sunglasses, and a determined look.
He shoots under par, sinks thirty foot down hill putts, has no trouble with sand shots, drives like a twisting desert dervish. If you ask him, he will tell you you have to give him five shots a nine plus one mulligan an eighteen. He can up the bet on the eighteenth hole if he chooses, and you can’t tee up your ball in the fairway.
Roy Rogers and Dale Evans are patron saints of this place but Golf Ball Man says his prayers in the pews.
At night I hear golf ball man practicing his putting, and, whistling, ” When the Saints, Go Marching in….. ”
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